Working at the intersections of cultural and urban geography, my current research explores how artists use, reimagine, and remake spaces of the city and act as agents of social change. Graffiti, street art, and other forms of illegal public art are the main focus in my work at the moment. More broadly, my work examines how art can contribute to understandings of public space and the environment.

My doctoral dissertation ‘Aesthetics of zero tolerance: Psychogeographic and photographic explorations of graffiti and street art in Norway’ was submitted in August 2017 and is currently under review. The project uses psychogeography and photography as methods to study graffiti and street art in urban space. With Oslo as my main focus, I have specifically been studying the aesthetics of zero tolerance policy against graffiti and exploring how policy affects the way space is used and the way cities look. During this time, I walked approximately 300 km and took nearly 25 000 photographs.

My artistic work informs my academic research, particularly through the use of visual methods. Photography features importantly in my research and I view my photographs as works of art, even when attached to a research question. I believe that this commitment to the aesthetic and art in my use of visual methods — including the use of cartography and geographic information systems — helps connect the viewer with my research in unique and important ways.

I am an advocate for public engagement and am committed to research collaboration that breaks free of academic and disciplinary bounds. I have had the privilege to collaborate with Nuart Festival, with the artists from Oslo Apiary,  and with Snøball Film. I have consulted with the Municipality of Oslo on the development and implementation of their new Action Plan on Street Art. As much as possible, I prioritise research and invitations to collaborate that are accessible to and of value to the public.